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I've had a hard time reading books for a few years, more even than I've admitted to (complained about). I have attributed it to mind scatter from all the various One Damned Thing After Another and also widowhood. Maybe so because suddenly I can read again so long as the thing I'm reading doesn't annoy me too much.
For example, my friend Israel lent me Albion's Seed by David Fischer (you can read a summary and more positive review of it here) and I can't get into its nine hundred pages of argument that American culture and politics are almost exclusively descended from four waves of English migration. Despite its length and copious documentation, the actual assertions about culture, psychology, politics, etc. feel unsupported to me. I felt like some asshole had cornered me at a party and was booming along about their nutcase theory. Even though the book has a fat bibliography and a lot of material from primary sources. I don't know why it felt that way to me, but I can't finish it right now. I occasionally browse it for story bits, but it's joyless work.
I picked up The Tree Climber's Guide by Jack Cooke at the San Francisco Friends of the Public Library's book sale and I can't read it either. Again, it's the theoretics that defeats me. This book should be right up my alley. It's about the trees of London, as a class and as individuals, meant for people who want to enjoy them to the fullest, including climbing up into them. But it's ruined for me with his uninformed pronouncements on human evolution and nearly spiritualistic approach to everything. I can handle a certain amount of spirituality in a nature book, just not this much. But I still have it in my bathroom waiting for me to give it a fourth chance. After all, it's still a book about urban trees.
Another book I couldn't read was an old Charles deLint, The Little Country. I had the usual deLint trouble where his writing hits an uncanny valley of almost being exactly what I want but somehow tweer than I want even though if I try to catalog the things that make it twee I don't find them--it should be "gritty" almost. Except in this case the things that are supposed to make it gritty include a thing I do not tolerate, which is a fancy, "let's get into the twisted mind of a sociopathic serial killer who likes to torture people" element. I think most people like it better than I do.
So what have I finished? Alif the Unseen by G. Willow WIlson. I went looking to see if there was tumblr discourse about this because there's an aspect of this that I thought the kiddies would go wild for--this book is set inside a not-quite Egyptian world and the author is an American convert to Islam. But she seems to have escaped the discourse treatment. I think the book works. There's a very nice self-insertion element--a character is an American convert living in the nameless City (which seems to be a neighbor of the Emirates). But it's well handled, and she's not the main character or even the main character's girlfriend or his other relationship either. Every character has many layers and you can't waves their short description around and think you've told their story. You need the whole book for that. The story is sort of like North by Northwest in that the protagonist is being pursued by evil forces beyond his ken (that is, the secret police) before he even knows why (he thinks he knows why, but he's wrong). The McGuffin is delicious--it's not a spoiler to say that while at first Alif thinks it's a program he's written, it turns out to be a book. And there's djinns in it and they are not what you think they are. No, not that either.
I also read The Goose Girl by Shannon Hale. I have mixed feelings about this book. It has some things I hate, which I'll get to, but first let me tell you that Hale can write suspense to the point where you want to claw something to shreds. And it has something I love: worker solidarity, though it's a little shallow in that their solidarity is all about elevating a blond queen over their brown selves. Yep, that's there. You can see why: the story has every goddamned element from a particular version of the fairy tale--no worries, there's lots of suspense for you even if you know the fairy tale and think you know how it's going to work out, so if you care about those things know that you're not going to be ripped-off in the dimension of discovery. But there's problems in the world-building that bug me a lot. One, all the people from the goose girl/princess's country are pale and blond while right next door all the people are dark. Two, these countries are next door to each other and share some history somewhere so that their speech is completely mutually comprehensible--the only difference is an accent so mild that it never interferes with comprehension--and yet they are utterly isolated from each other by geography: it takes months to ride from one country's center of population to the other, over nearly-impassable mountains with only one usable pass, and the royal families have never met each other in generations. The only communication between them in the normal course of things is a small handful of trading caravans that apparently never gossip about one country to the other. Excuse me, but I've met real-world languages that diverged farther than that in a shorter time when they had daily contact. There were details about animal husbandry, clothing production, and cooking that felt not quite fully researched and developed, but I always feel this way except when reading Heather Rose Jones's books honestly, so I don't hold it against this book. Besides, there's other details that are really really nice.
Right now I'm reading Nova Swing by M.John Harrison and I can tell you I kind of like the poetic language but not the fact that all the characters speak in the same register and I'm truly creeped out by the way all the female characters seem like simulacrums (some of them are supposed to be such, but not all). I'm glad it's short: I think I will enjoy it by the time it's done, instead of hating it as I might if it was long and kept on doing what it's doing.
So I've spent my time for updating and I'll write about my health (mostly great, with Another Big Honking Deal probably cooking itself up in my lungs) and other stuff at another time.
For example, my friend Israel lent me Albion's Seed by David Fischer (you can read a summary and more positive review of it here) and I can't get into its nine hundred pages of argument that American culture and politics are almost exclusively descended from four waves of English migration. Despite its length and copious documentation, the actual assertions about culture, psychology, politics, etc. feel unsupported to me. I felt like some asshole had cornered me at a party and was booming along about their nutcase theory. Even though the book has a fat bibliography and a lot of material from primary sources. I don't know why it felt that way to me, but I can't finish it right now. I occasionally browse it for story bits, but it's joyless work.
I picked up The Tree Climber's Guide by Jack Cooke at the San Francisco Friends of the Public Library's book sale and I can't read it either. Again, it's the theoretics that defeats me. This book should be right up my alley. It's about the trees of London, as a class and as individuals, meant for people who want to enjoy them to the fullest, including climbing up into them. But it's ruined for me with his uninformed pronouncements on human evolution and nearly spiritualistic approach to everything. I can handle a certain amount of spirituality in a nature book, just not this much. But I still have it in my bathroom waiting for me to give it a fourth chance. After all, it's still a book about urban trees.
Another book I couldn't read was an old Charles deLint, The Little Country. I had the usual deLint trouble where his writing hits an uncanny valley of almost being exactly what I want but somehow tweer than I want even though if I try to catalog the things that make it twee I don't find them--it should be "gritty" almost. Except in this case the things that are supposed to make it gritty include a thing I do not tolerate, which is a fancy, "let's get into the twisted mind of a sociopathic serial killer who likes to torture people" element. I think most people like it better than I do.
So what have I finished? Alif the Unseen by G. Willow WIlson. I went looking to see if there was tumblr discourse about this because there's an aspect of this that I thought the kiddies would go wild for--this book is set inside a not-quite Egyptian world and the author is an American convert to Islam. But she seems to have escaped the discourse treatment. I think the book works. There's a very nice self-insertion element--a character is an American convert living in the nameless City (which seems to be a neighbor of the Emirates). But it's well handled, and she's not the main character or even the main character's girlfriend or his other relationship either. Every character has many layers and you can't waves their short description around and think you've told their story. You need the whole book for that. The story is sort of like North by Northwest in that the protagonist is being pursued by evil forces beyond his ken (that is, the secret police) before he even knows why (he thinks he knows why, but he's wrong). The McGuffin is delicious--it's not a spoiler to say that while at first Alif thinks it's a program he's written, it turns out to be a book. And there's djinns in it and they are not what you think they are. No, not that either.
I also read The Goose Girl by Shannon Hale. I have mixed feelings about this book. It has some things I hate, which I'll get to, but first let me tell you that Hale can write suspense to the point where you want to claw something to shreds. And it has something I love: worker solidarity, though it's a little shallow in that their solidarity is all about elevating a blond queen over their brown selves. Yep, that's there. You can see why: the story has every goddamned element from a particular version of the fairy tale--no worries, there's lots of suspense for you even if you know the fairy tale and think you know how it's going to work out, so if you care about those things know that you're not going to be ripped-off in the dimension of discovery. But there's problems in the world-building that bug me a lot. One, all the people from the goose girl/princess's country are pale and blond while right next door all the people are dark. Two, these countries are next door to each other and share some history somewhere so that their speech is completely mutually comprehensible--the only difference is an accent so mild that it never interferes with comprehension--and yet they are utterly isolated from each other by geography: it takes months to ride from one country's center of population to the other, over nearly-impassable mountains with only one usable pass, and the royal families have never met each other in generations. The only communication between them in the normal course of things is a small handful of trading caravans that apparently never gossip about one country to the other. Excuse me, but I've met real-world languages that diverged farther than that in a shorter time when they had daily contact. There were details about animal husbandry, clothing production, and cooking that felt not quite fully researched and developed, but I always feel this way except when reading Heather Rose Jones's books honestly, so I don't hold it against this book. Besides, there's other details that are really really nice.
Right now I'm reading Nova Swing by M.John Harrison and I can tell you I kind of like the poetic language but not the fact that all the characters speak in the same register and I'm truly creeped out by the way all the female characters seem like simulacrums (some of them are supposed to be such, but not all). I'm glad it's short: I think I will enjoy it by the time it's done, instead of hating it as I might if it was long and kept on doing what it's doing.
So I've spent my time for updating and I'll write about my health (mostly great, with Another Big Honking Deal probably cooking itself up in my lungs) and other stuff at another time.
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