
The first picture is the nice fellow's dumbrella avatar. It used to be much higher quality. How can it degrade without being resaved and reformatted and stuff? It's been sitting there in that file for a long time. I guess he needs a new one.

The second is the small form of the graphic for "Bella and Chain."
I need to get back to that story. I know everything about it and that. Also I want to redo some small parts, mostly graphical ones.
Meanwhile, it looks like The Conduit is going to have fewer chapter breaks and be longer overall. Part of this is dealing with how certain tropes? event types? repeat: I'm trying to make it clearer that each time they repeat it's with greater immediate consequence to the interface. This means much less backflashing, I think. Also I have to cut out a certain kind of interior monologue and replace it with a certain other kind of internal monologue. Since it's no longer a first-person narration but tight-third with unavoidable tiny flashes of tight omni. By tight omni I mean that the narration knows more than the protagonist but doesn't leave his shoulder. So when somebody dies and the interface doesn't see it, but it's important to the story, the narration says so.
Since I'm trying to ratchet the danger up, I'm disturbed that the first encounter right now ends in death for the wisher. I think I want to go back and instead of having the guy die of aflatoxin poisoning, he should get messily ill from some other food poisoning. Just as the guy who remembers and therefore teaches the interface about memory doesn't die from the heart attack. This way the first deaths directly caused by the wishes come later in the book and I can preserve the guy in the welfare hotel as the first dead body the interface is in the company of.
It's a problem writing about a person whose intellectual and emotional development is not congruent to normal development. I could go different routes. I could say that because he had nothing like child nurturing he won't develop social characteristics and will be unable to care for others. But honestly, that personality is boring to me. I'm not out to prove anything about human nature. I know that sometimes people would write a story like this for that reason. I'm not. I always was interested in the perspective of the fox that gives wishes, the little man with the violin in another fairy story, the bronze head, the witch's familair, the sorcerer's Damned Boy, Faust's homunculus, the genie -- a sentient, self-aware granter of wishes who has no direct agency of its own. An actively passive character. That's it.
On another front, my boss and her husband were thanking me for being in no hurry to quit and I admitted I had no place to go and they said that another person was leaving and they'd just as soon fill that place and I said, fine, I'll stay, and we'll just have an understanding that in the long run, I would be leaving. Things are somewhat better now anyway, I don't know why. The morning staff is no longer ragging on me, anyway. They have other problems, I guess, and maybe they've finally figured out how much work they leave for me to do every day.
It's not like they can stop leaving that work for me. It's just the way it is. There's only so much labor and so much time and so much slack. And the babies cry more in the morning, and I don't know whether that's transition blues or the fact that neither of them will play and sing when things are rough. I have a special crying song -- it's "whimper and whine" from The Electric Company, originally meant to illustrate the silent E -- and the babies automatically stop crying, if only for a couple of minutes, when I sing it. I only sing it when somebody's really upset, and I sing it almost everytime there are two or more babies crying. I think that the babies take it as a signal that life isn't always going to be this tough, I don't know. But I am sure that telling a baby "you're fine" in a peremptory tone of voice is never very helpful, even when it's true.
Sometimes babies cry because of existential angst rather than a physical need, and sometimes when they do that they want to be held more than is reasonably possible or convenient for the grownups. But it's never that the feeling is not true and it's never that the need to be held is unreasonable in itself. The task for the grownups -- who have other things to do to make the place safe and healthy and pleasant for all the babies, and other babies to hold, change, feed, etc -- their task isn't to derogate the existential angst and touch-cravings of the crying babies, but to help them find other ways to acjieve comfort. And the human voice is one of our most proximate tools. Pleasant, reassuring patter, humor, chanting, singing, are all pretty effective most of the time (nothing is perfectly effective all the time). So a baby caregiver who is silent or talking just to the other adults is missing out on a really valuable toolbox, not just a tool.
And we don't have time to talk about this because we never have meetings away from the babies.
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