Actually I've been futzing around with the plot for this chapter. There are things I originally planned on happening and I think I klind of spiked them with the things that ahve already happened, and I don't want to further the labor dispute aspect of the story until I figure that out. But I have sort of felt out an alternation between the family life part of the story and the labor dispute part of the story. Cast of thousands. But it's that kind of story.
One of these days I have to write a story without a kajillion supporting characters and walk-ons, or maybe not, since the stories are all kind of about the shapes of communities, among other things.
I've been writing a new query letter aimed at an editor who is "interested in hard SF, epic F (most popular is realistic made-up history), romantic F, SF with heavy romantic elements." Since the Chuy book has hard sf elements and also heavy romantic elements, maybe he will like it. I am telling myself that the same-sex aspect of the romantic elements, and the communal-household aspect of the happily ever after dreams of the protagonist, are not hurdles -- it's science fiction and in science fictionyou're supposed to expect strange worlds with strange cultures and social organizations.
But isn't that a funny combination of interests for an editor? I think it's not his personal reading preferences but what he thinks his various readerships are looking for. Which makes it not odd at all.
So, I wrote a little on Afterwar and I've got most of the query letter written and now I have to get things ready so I can leave town. It's been raining. I just hope it's not raining when I'm on Highway 17. Oh dog, do I hope it's not raining on 17. It will be bad enough if it's raining on the other freeways, but 17 is crazy making at the best of times. One of the reasons I don't go places much without the nice fellow along to drive.
One of these days I have to write a story without a kajillion supporting characters and walk-ons, or maybe not, since the stories are all kind of about the shapes of communities, among other things.
I've been writing a new query letter aimed at an editor who is "interested in hard SF, epic F (most popular is realistic made-up history), romantic F, SF with heavy romantic elements." Since the Chuy book has hard sf elements and also heavy romantic elements, maybe he will like it. I am telling myself that the same-sex aspect of the romantic elements, and the communal-household aspect of the happily ever after dreams of the protagonist, are not hurdles -- it's science fiction and in science fictionyou're supposed to expect strange worlds with strange cultures and social organizations.
But isn't that a funny combination of interests for an editor? I think it's not his personal reading preferences but what he thinks his various readerships are looking for. Which makes it not odd at all.
So, I wrote a little on Afterwar and I've got most of the query letter written and now I have to get things ready so I can leave town. It's been raining. I just hope it's not raining when I'm on Highway 17. Oh dog, do I hope it's not raining on 17. It will be bad enough if it's raining on the other freeways, but 17 is crazy making at the best of times. One of the reasons I don't go places much without the nice fellow along to drive.